![]() “Besides being an ode to our friend, we wanted to make the Neon Kingdom a living place that felt inhabited even if you were standing in this space all alone,” Howard says.īut this space is just the start, Howard explained. Each one of these all has something in common King helped curate and create many of the art installations himself. That same year, Denver’s “Convergence Station” was opened. In 2021 the next Meow Wolf installment titled “Omega Mart”, was opened at AREA15 in Las Vegas, Nevada. The company's first exhibition, titled “House Of Eternal Return” was opened in Santa Fe circa 2016. “He actually has his hand on this exhibit in many areas.” “We want to place it here, so we would have a nice place to display it,” she says. One such piece she was able to bring in was a shark jaw covered in a fine glitter and adorned with painted teeth. Howard, who was the field art director for the Neon Kingdom and one King’s friends, says she was able to incorporate a lot of different items that would honor his memory. “We even used the flowers from his memorial … just a bunch of personal stuff.” “This area is sort of outfitted to be an homage to him,” says senior Meow Wolf artist Sofia Howard while explaining the concept behind the Neon Kingdom during a recent tour of the new installment. Since then, King developed 34 Meow Wolf art projects, many as the lead artist. It was at this stage in his life that King would become a part of the collaborative team of artists that launched Meow Wolf in 2008. He eked out a living as an art handler, landscaper and food delivery person before he would eventually head the call of the northern New Mexican landscape in Santa Fe. ![]() After high school, King attended junior college before nixing it for a life of expressive freedom. King passed away last July at age 37, in Santa Fe, New Mexico which is home to the very first Meow Wolf art installment titled “House of Eternal Return.”īefore he ever picked up a paint brush or refurbished a piece of trash into a work of art, King spent his youth in Arlington. The sad truth is, King never had a chance to see the finished Grapevine installment although his artistic influence can be seen everywhere inside of it. In fact, some of his former colleagues say Meow Wolf wouldn’t be what it is today if not for his vision. A hushed reverence can be felt whenever his name is brought up by his friends and fellow collaborators. Above the archway in this new space/stage area resting between a few window faces, is a piece of King’s work, which is now on permanent but subtle display.
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